{"id":3093,"date":"2018-11-09T19:39:35","date_gmt":"2018-11-09T18:39:35","guid":{"rendered":"https:\/\/www.formationmaoetdj.com\/?p=3093"},"modified":"2020-06-30T12:11:17","modified_gmt":"2020-06-30T10:11:17","slug":"serato-dj-pro-flip-pitch-play","status":"publish","type":"post","link":"https:\/\/www.formationmaoetdj.com\/en\/serato-dj-pro-flip-pitch-play\/","title":{"rendered":"Serato DJ Pro Flip Pitch play"},"content":{"rendered":"
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Serato DJ Pro Flip Pitch play<\/h2>\n\n\t\t<\/div>\n\t<\/div>\n\n\t
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The features\u00a0Flip Pitch Play<\/strong>one official and the other not. The function\u00a0Flip<\/strong>\u00a0is an extension of\u00a0Serato DJ Pro<\/strong>which was already featured in earlier versions of Serato DJ. The\u00a0Flip<\/strong>\u00a0is the recording of the cue points, in the order and at the speed we play them.<\/p>\n

The function\u00a0Pitch play<\/strong>\u00a0is not a function\u00a0Serato DJ Pro<\/strong>but a mixture between\u00a0Pitch & Time<\/strong>\u00a0which is an extension\u00a0Serato DJ Pro<\/strong>\u00a0and an edition\u00a0MIDI<\/a>.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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\"flip<\/a><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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First of all let's start with the Flip.<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n
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The\u00a0Flip<\/strong>\u00a0works with cue points, and we can use the\u00a0Flip<\/strong>\u00a0in several ways. After installing the button\u00a0Flip<\/strong>appears in the upper left corner next to the FX. Finally press it, so that the panel opens and the six function buttons of the\u00a0Flip<\/strong>are accessible. Recording, playing the recorded Flip, activating the\u00a0Flip<\/strong>looping and saving of the\u00a0Flip<\/strong>\u00a0which has just been created. The last one called \"align loop\" is for the last point to close the loop because it is not a cue point.<\/p>\n

Then, we can create a reorganization of a piece, a new flow, for example playing the outro at the very beginning of the piece.<\/p>\n

Or manually replay very small parts of the rhythm or melody. The recording of the\u00a0Flip<\/strong>\u00a0takes into account the cue points played, the order of these points and the distance between the points, thus the rhythm. This rhythm is independent of the rhythm of the song loaded on the virtual turntable.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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After that, let's move on to the pitch play.<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n
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On this point, the\u00a0Pitch play<\/strong>\u00a0will allow us to play a melody with a cue point and an associated tone. So a single MIDI key will activate a cue point and the \"note\" with the semitones that we can set with the\u00a0Pitch & Time<\/strong>. Depending on the controller used and the number of keys we can play from a few notes to two full scales.<\/p>\n

Indeed, the\u00a0Pitch & Time<\/strong>\u00a0maintains the key with a modified pitch, and conversely changes the key without modifying the pitch (speed). Thus the key adjustment is made from -12 to +12 which is 24 notes equivalent to two scales. A scale is seven whites and five quarter notes, so 12 notes. To play a scale we need 12 keys in MIDI. We can play C, C#, D, D#, E, Fb,\u00a0<\/i>F, G, G#, A, A#, B.<\/p>\n

Understand that it is indeed the MIDI mapping that allows the\u00a0Pitch play<\/strong>\u00a0possible. By activating the same cue point with multiple controller keys.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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